|
Nicola Monachesi (1805–1851) was an Italian painter believed to have painted the earliest frescos in America.〔(The Century Illustrated Monthly Magazine, Volume 69 November-April 1904 Page 719 )〕 〔(Richard N. Juliani, Building Little Italy: Philadelphia's Italians Before Mass Migration (University Park, PA: Penn State University Press, 1998) Page 85 )〕 He was born in Tolentino, Marche Italy and was considered a citizen of Rome. When he died in Philadelphia, he had become a naturalized citizen of the United States. In Italy he was a pupil of the Accademia di San Luca, Rome, studying under Gasparo Landi, and won his first prize for painting. After studying in Rome, he emigrated to America in 1831-32 entering through New York and settling in Philadelphia. He worked mostly as an interior decorator, drawing neoclassical artistic paintings on wall surfaces and portrait paintings on canvass decorating churches, commercial buildings, and Mansions. ==Works== Works surviving and preserved are: * St. Augustine Church, Philadelphia Fresco paintings. 〔(Historical status of St. Augustine Church includes Photos of Monachesi Paintings )〕 * Richard Alsop IV House in Connecticut, (now owned by Wesleyan University) interior decorative wall paintings are attributed to Monachesi. It is believed that his work in the Merchants' Exchange Building (Philadelphia) impressed the owner, who had an office in the Exchange and invited Monarchies to travel out of Philadelphia. The works highlighted are stair hall painting displays, in the style of trompe l'oeil of figures in niches, while oil-on-plaster paintings are featured in the parlors, dining room and morning-room. The parlor paintings are classical derivations and some subjects are Raphaelesque in origin. In the morning room the formal classicism of the parlors is replaced by scenes derived from the "rural" Italian tradition of wall decoration. Local birds and insects are featured in these scenes. The dining room displays a painted frieze. These works exist today and are on display being preserved by the University.〔(Richard Alsop IV House in Connecticut )〕 〔(Richard Alsop House -NATIONAL HISTORIC LANDMARK NOMINATION )〕 Works demolished or destroyed: * Interior of the Exchange room with wall paintings, ceiling fresco's and an elegant mosaic floor).〔(Richard N. Juliani, Building Little Italy: Philadelphia's Italians Before Mass Migration (University Park, PA: Penn State University Press, 1998) Page 86 )〕 in the 1830s Merchants' Exchange Building (Philadelphia), a building designed by architect, William Strickland 〔(Independence Hall Association -US History: Merchant Exchange Building )〕 * Interior paintings in 1830's at the then cathedral of the Diocese of Philadelphia, St. John the Evangelist Catholic Church (Philadelphia, Pennsylvania) at 13th and Chestnut Streets.〔(Richard N. Juliani, Building Little Italy: Philadelphia's Italians Before Mass Migration (University Park, PA: Penn State University Press, 1998) Page 85 )〕 Church and interior destroyed by fire 1899. * Interior decorative paintings and marble in 1834 Matthew Newkirk's mansion residence at 13th and Arch street designed by architect Thomas Ustick Walter. The decorations were carefully preserved until 1876 when it was sold to the St. George Society of Philadelphia and renamed "St. George's Hall". Building demolished 1903. * Interior decorative ceiling paintings in 1840 for Confectioner's George Parkinson〔(Richard N. Juliani, Building Little Italy: Philadelphia's Italians Before Mass Migration (University Park, PA: Penn State University Press, 1998) Page 86 )〕 and his wife Eleanor Parkinson,〔 〕 at 180 Chestnut Street Philadelphia. They had created a confectionery business that made Philadelphia vanilla ice cream a synonym for the city's haute cuisine. Their son James opened a restaurant in the early 1840s with an ice cream garden situated in the rear of the store. The wonderful marble mosaic floor and artwork was considered a "glorious painting" as a marriage of Jupiter and Juno and brought a ''par excellence'' of refinement to creating a place that both men and women could socialize (compared and departure from Taverns). Demolition unknown. Works Unknown status: His portraits existed in many "old" established families in Philadelphia and vicinity. It included patrons as Stephen Girard, Madam Rush, Joseph Bonaparte and Joseph Togno. In 1841-42 his large historical picture, The Murder of Jane McCrea, was exhibited in Philadelphia. An exhibit of his work was held by the Pennsylvania Academy of the Fine Arts == References == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nicola Monachesi」の詳細全文を読む スポンサード リンク
|